Name: | PIONEERSTUD R MARNI |
UELN: | 826044000033416 |
Chipnumber: | 985082604401151 |
Colour: | PALOMINO |
Reg. Type: | BRITISH BREEDING |
Studbook: | ARAB HORSE SOCIETY |
Date of Birth: | 05/31/17 (7 YEARS OLD) |
Sex: | FEMALE |
Owner/Keeper: | FIONA DAVIES |
Breeder: | FIONA DAVIES |
Judges Lesley Peyton-Gilbert, Hans-Heinrich Brüning, Lucy Simpson, Bert van Wanrooij | ||||||||||||
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Veterinary Comment | Mark 1 | Mark 2 | ||||||||||
lateral deviation of the hock in the walk due to week rectus muscles, less muscle development of the right gluteals vs the left gluteals left fore medially offset knee and lateral deviation of the dystal limb tendency to over extend front fetlock joints | 7.25 | 8.25 | ||||||||||
Discipline | Endurance | |||||||||||
Veterinary Assessment | ||||||||||||
Stance of Forelegs | Over at the knee | X | Back at the knee | |||||||||
Stance of Forelegs | Carpal valgus | X | Carpal varus | |||||||||
Stance of Forelegs | Offset laterally | X | Offset medially | |||||||||
Stance of Hindlegs | Acute hock angle | X | Straight hock angle | |||||||||
Stance of Hindlegs | Tarsal valgus | X | Tarsal varus | |||||||||
Stance of Fetlocks (front) | Over-extended | X | Upright | |||||||||
Stance of Fetlocks (back) | Over-extended | X | Upright | |||||||||
Shape of Feet | Wide | X | Narrow | |||||||||
Heels | High | X | Low | |||||||||
Symmetry of the Shoulder Girdle | Symmetrical | X | Asymmetrical | |||||||||
Symmetry of the Pelvic Girdle | Symmetrical | X | Asymmetrical | |||||||||
Quality of Legs: Tendon Sheaths | No effusions | X | Effusions | |||||||||
Quality of Legs: Joints | No effusions | X | Effusions | |||||||||
Correctness of Walk: front legs | Toed in | X | Toed out | |||||||||
Correctness of Walk: hind legs | Toed in | X | Toed out | |||||||||
Correctness of Trot: front legs | Toed in | X | Toed out | |||||||||
Correctness of Trot: hind legs | Toed in | X | Toed out | |||||||||
Muscle / Body | ||||||||||||
Muscle Development | Well muscled | X | Poor | |||||||||
Body Condition Score | Underweight | X | Overweight | |||||||||
Growth Plate Development | ||||||||||||
Knee: Right Front | Normal | X | Abnormal | |||||||||
Knee: Left Front | Normal | X | Abnormal | |||||||||
Hock: Right Hind | Normal | X | Abnormal | |||||||||
Hock: Left Hind | Normal | X | Abnormal | |||||||||
Fetlock: Right Front | Normal | X | Abnormal | |||||||||
Fetlock: Left Front | Normal | X | Abnormal | |||||||||
Fetlock: Right Hind | Normal | X | Abnormal | |||||||||
Fetlock: Left Hind | Normal | X | Abnormal | |||||||||
Foot Balance | ||||||||||||
Foot Balance: Right Front | No issues | X | Attention needed | |||||||||
Foot Balance: Left Front | No issues | X | Attention needed | |||||||||
Foot Balance: Right Hind | No issues | X | Attention needed | |||||||||
Foot Balance: Left Hind | No issues | X | Attention needed | |||||||||
Conformation - Frame | ||||||||||||
Body Shape | Rectangular | X | Square | |||||||||
Body direction | Uphill | X | Downhill | |||||||||
Length of legs | Long | X | Short | |||||||||
Head-neck connection | Light | X | Heavy | |||||||||
Length of neck | Long | X | Short | |||||||||
Position of neck | Vertical | X | Horizontal | |||||||||
Muscling of neck | Heavy | X | Poor | |||||||||
Shape of neck | Arched | X | Straight | |||||||||
Height of whithers | High | X | Flat | |||||||||
Length of whithers | Long | X | Short | |||||||||
Position of shoulder | Sloping | X | Straight | |||||||||
Length of shoulder | Long | X | Short | |||||||||
Line of the back | Roached | X | Weak | |||||||||
Line of the loins | Roached | X | Weak | |||||||||
Shape of the croup | Sloping | X | Flat | |||||||||
Length of the croup | Long | X | Short | |||||||||
Tail set | Low | X | High | |||||||||
Frame Mark | 7.75 | |||||||||||
Frame Comment | ||||||||||||
an attractive horse who now needs to become stronger and develop more topline muscle | ||||||||||||
Movement - Walk | ||||||||||||
Length of stride | Long | X | Short | |||||||||
Freedom of shoulder | A lot | X | Restricted | |||||||||
Rhythm | Regular | X | Irregular | |||||||||
Topline | Elastic | X | Stiff | |||||||||
Engagement | Energetic | X | Dragging | |||||||||
Walk Mark | 8 | |||||||||||
Walk Comment | ||||||||||||
showing good energy and flow | ||||||||||||
Movement - Trot | ||||||||||||
Length of stride | Long | X | Short | |||||||||
Freedom of shoulder | A lot | X | Restricted | |||||||||
Elasticity | Elastic | X | Stiff | |||||||||
Impulsion | Rounded | X | Weak | |||||||||
Balance | Carrying | X | Pushing | |||||||||
Trot Mark | 8.25 | |||||||||||
Trot Comment | ||||||||||||
showing effortless strides with good balance and reach | ||||||||||||
Movement - Canter | ||||||||||||
Length of stride | Long | X | Short | |||||||||
Freedom of shoulder | A lot | X | Restricted | |||||||||
Elasticity | Elastic | X | Stiff | |||||||||
Impulsion | Rounded | X | Weak | |||||||||
Balance | Carrying | X | Pushing | |||||||||
Canter Mark | 8.25 | |||||||||||
Canter Comment | ||||||||||||
showing good economy of movement and impulsion for endurance | ||||||||||||
Total Mark | Overall comment | |||||||||||
8 | GOLD | a lovely prospect for endurance with very easy, effortless gaits, as she gets stronger, she will develop into a lovely horse for the sport. |
PIONEERSTUD SILVER SHEIKH
2038
CREMELLO |
GRASSENDALE CREAM ICON
CREMELLO |
CHALDENSFORD CANDY'S GOLDEN LEGACY
|
VESTA GOLDEN VIKING |
WESTON CREAM CANDY | |||
GRASSENDALE PLATINUM GOLD
|
PIONEERSTUD GOLDEN CHIEFTAIN | ||
COLEBRIDGE GOLDEN ELEGANCE | |||
MILLSPRING ZADA
PALOMINO |
PIONEERSTUD GOLDEN CHIEFTAIN
PALOMINO |
GOLDEN LOVELACE | |
GARAH | |||
DURRAH
|
ZIRCON NAZEER | ||
DAHSHAN | |||
WESTPOINT RASHIDA
826016150462008
2038
CHESTNUT 1.62m |
PARSONS RASPUTIN
HANN
DE331-316505897
1997
BAY |
RAPHAEL
WESTF
DE341410117079
1979
BROWN 1.69m |
RAMIRO Z HOLST DE321210389565 1965 |
ANNEKATRIN DE341412064670 1970 | |||
ATHENE
HANN
DE331313321387
1987
CHESTNUT |
ARGENTAN I HANN 276331310415867 1967 | ||
WILMA 314011277 1977 | |||
CONFIDANT
|
CARDINAR
|
CARDINAL XX DE306062061564 1901 | |
ST PR ST. AVUS | |||
WINNIPEE
|
WELTMEYER | ||
ST PR. LOLLIPOP |